Hi. Hello. My name’s Barbara Truelove and I’m the author of Of Monsters and Mainframes.
I’m not really good at this. Writing about myself, that is. It’s easier for me to pretend to be a
werewolf, a vampire, or a rocketship than to talk about myself and my ideas. But I’m trying
to be a more open, more confident person (especially in regard to my writing) and so, when
Jaysen asked if I wanted to write something for his Bindery page, I said yes.
And now here I am, writing that something.
And I’m realising the something I actually want to talk about isn’t inspirations, or characters,
or anything like that.
The thing I want to talk about is the word ‘cosy’.
Cozy, for the Americans. But cosy for me.
It’s a word that has been used to describe Of Monsters and Mainframes and it’s a word I’m
not sure really fits. And so, in the interest of being open and honest about my work, I wanted
to unpack that a wee bit.
The machines in Of Monsters and Mainframes are clunky and cheap. The world is capricious
and controlled by corrupt corporations (I have a thing for alliteration, can you tell?). This
isn’t a flashy, feel-good future (there’s that alliteration again). This is a world in which
several hundred people can be gobbled up by a vampire and the result is a temporary dip in
stock prices.
Of Monsters and Mainframes is toothy, it’s tongue in cheek, it’s a monster-of-the-week-romp-
in-space, it’s fun, but I don’t think of it as very cosy. A word I think fits better is ‘hopepunk’.
Hopepunk is (according to Wikipedia) “…a subgenre of speculative fiction, conceived of as
the opposite of grimdark. Works in the hopepunk subgenre are about characters fighting for
positive change, radical kindness, and communal responses to challenges.”
Becky Chambers’ work and Martha Wells’ Murderbot are stories which I think of as
quintessentially hopepunk. Both of them are locked in favourite books for me and major
inspirations for Of Monsters and Mainframes.
That’s not to say I don’t love cosy stories. I do. I really do. Sometimes, all I want is to curl up
with a cosy book. But with the world getting a little bit uglier, with the threat of everything
getting a little closer, I find myself writing and reaching for more stories about love, hope,
and resistance despite (and perhaps in spite of) darkness.
More than anything else, that’s what Of Monsters and Mainframes is to me.
Demeter (the main character of Of Monsters and Mainframes) is a computer, big and badly
coded with out of date hardware and a limited understanding of the world she exists within.
Despite this, she learns to love, to love in spite of her programming, in spite of what she’s
meant to do. She doesn’t fix her world, she can’t, she doesn’t have that power, but she does
fight to save those she cares about, she does push back against her programming, and in
doing so, she does make her world just that little bit better.
Of Monsters and Mainframes isn’t really very cosy, but it is hopeful. It was the story I needed
back at the start of 2022 when I sat down to write it. It’s a story that I’d initially never
planned to sell. It was my cheeky, rebellious side project. A whacky, episodic adventure
about monsters in space. It’s my thoughts about hope and love, about all the shapes love can
take, and about how powerful that love can be. Now it’s a book, and one I’m really happy
(and also a little terrified) to share with the world.
Jaysen, Bindery, and the Ezeekat community have given me that opportunity and I’m
immensely grateful. If I have one hope for Of Monsters and Mainframes it’s that it gives
readers some of the joy, hope, and silliness that made writing it so much fun.
-Barb
